Canon XTi vs Fujifilm GFX 100S II

The Canon EOS Rebel XTi (called Canon 400D in some regions) and the Fujifilm GFX 100S II are two digital cameras that were officially introduced, respectively, in August 2006 and May 2024. The XTi is a DSLR, while the GFX 100S II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (XTi) and a medium format (GFX 100S II) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon XTi		Fujifilm GFX 100S II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
10.1 MP – APS-C sensor		101.8 MP – Medium Format sensor
no Video		4K/30p Video
ISO 100-1,600		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (5760k dots)
2.5" LCD – 230k dots		3.2" LCD – 2360k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
3 shutter flaps per second		7 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
370 shots per battery charge		530 shots per battery charge
127 x 84 x 65 mm, 556 g		150 x 104 x 87 mm, 883 g

Check XTi offers at
ebay.com
Check GFX 100S II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XTi and the Fujifilm GFX 100S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon XTi and the Fujifilm GFX 100S II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100S II is considerably larger (46 percent) than the Canon XTi. Moreover, the GFX 100S II is substantially heavier (59 percent) than the XTi. It is noteworthy in this context that the GFX 100S II is splash and dust-proof, while the XTi does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the XTi gets 370 shots out of its Canon NB-2LH battery, while the GFX 100S II can take 530 images on a single charge of its Fujifilm NP-W235 power pack. The power pack in the GFX 100S II can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	US$ 799	ebay.com
2.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
3.		Canon 40D	146 mm	108 mm	74 mm	822 g	750	n	Aug 2007	US$ 1 299	ebay.com
4.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	US$ 899	ebay.com
5.		Canon T1i	129 mm	98 mm	62 mm	520 g	400	n	Mar 2009	US$ 799	ebay.com
6.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	US$ 699	ebay.com
7.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	US$ 449	ebay.com
8.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	US$ 849	ebay.com
9.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	US$ 749	ebay.com
10.		Canon XS	126 mm	98 mm	65 mm	502 g	500	n	Jun 2008	US$ 449	ebay.com
11.		Canon XSi	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	US$ 799	ebay.com
12.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	US$ 899	ebay.com
13.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
14.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
15.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
16.		Fujifilm GFX 100RF	134 mm	90 mm	77 mm	735 g	820	Y	Mar 2025	US$ 4 899	amazon.com
17.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XTi was launched at a markedly lower price (by 84 percent) than the GFX 100S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon XTi features an APS-C sensor and the Fujifilm GFX 100S II a medium format sensor. The sensor area in the GFX 100S II is 338 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the XTi has a native 3:2 aspect ratio, while the one in the GFX 100S II offers a 4:3 aspect.

With 101.8MP, the GFX 100S II offers a higher resolution than the XTi (10.1MP), but the GFX 100S II has smaller individual pixels (pixel pitch of 3.76μm versus 5.71μm for the XTi). Yet, the GFX 100S II is a much more recent model (by 17 years and 8 months) than the XTi, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon XTi are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The GFX 100S II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the XTi, the GFX 100S II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS Rebel XTi has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Fujifilm GFX 100S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the XTi is build around a CMOS sensor, while the GFX 100S II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
2.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
3.		Canon 40D	APS-C	10.1	3888	2592	none	22.1	11.3	703	64
4.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
5.		Canon T1i	APS-C	15.1	4752	3168	1080/20p	21.7	11.5	663	63
6.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
7.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
8.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
9.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
10.		Canon XS	APS-C	10.1	3888	2592	none	22.0	10.9	719	62
11.		Canon XSi	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
12.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
13.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
14.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
15.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
16.		Fujifilm GFX 100RF	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3805	101
17.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The GFX 100S II indeed provides for movie recording, while the XTi does not. The highest resolution format that the GFX 100S II can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 100S II has an electronic viewfinder (5760k dots), while the XTi has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 100S II offers a wider field of view (100%) than the one in the XTi (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 100S II has a higher magnification (0.84x vs 0.49x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon XTi and Fujifilm GFX 100S II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
2.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
3.		Canon 40D	optical	Y	3.0 / 230	fixed	n	1/8000s	6.5/s	Y	n
4.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
5.		Canon T1i	optical	n	3.0 / 920	fixed	n	1/4000s	3.4/s	Y	n
6.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
7.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
8.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon XS	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon XSi	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
12.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
13.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
14.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
15.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
16.		Fujifilm GFX 100RF	5760	n	3.2 / 2100	tilting	Y	1/4000s	6.0/s	n	n
17.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The XTi has one, while the GFX 100S II does not. While the built-in flash of the XTi is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The XTi writes its imaging data to Compact Flash cards, while the GFX 100S II uses SDXC cards. The GFX 100S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the XTi only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XTi and Fujifilm GFX 100S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
2.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon 40D	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
5.		Canon T1i	Y	mono / mono	-	-	mini	2.0	-	-	-
6.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
7.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon XS	Y	- / -	-	-	-	2.0	-	-	-
11.		Canon XSi	Y	- / -	-	-	mini	2.0	-	-	-
12.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
13.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
14.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
15.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Fujifilm GFX 100RF	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the GFX 100S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the XTi does not provide wifi capability.

Studio photographers will appreciate that the Fujifilm GFX 100S II (unlike the XTi) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the XTi has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the XTi was succeeded by the Canon Xsi. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.

Review summary

So how do things add up? Is there a clear favorite between the Canon XTi and the Fujifilm GFX 100S II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS Rebel XTi:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More compact: Is smaller (127x84mm vs 150x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 327g or 37 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2006).

Advantages of the Fujifilm GFX 100S II:

• More detail: Has more megapixels (101.8 vs 10.1MP), which boosts linear resolution by 212%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.84x vs 0.49x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (530 versus 370) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 17 years and 8 months of technical progress since the XTi launch.

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S II is the clear winner of the contest (31 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon XTi and the Fujifilm GFX 100S II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the XTi or the GFX 100S II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	US$ 799	ebay.com
2.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
3.		Canon 40D	..	+ +	..	+ +	4.5/5	4.5/5	Aug 2007	US$ 1 299	ebay.com
4.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	US$ 899	ebay.com
5.		Canon T1i	..	+ +	..	74/100	4.5/5	4.5/5	Mar 2009	US$ 799	ebay.com
6.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	US$ 699	ebay.com
7.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	US$ 449	ebay.com
8.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	US$ 849	ebay.com
9.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	US$ 749	ebay.com
10.		Canon XS	..	82/100	..	+ +	3.5/5	4.5/5	Jun 2008	US$ 449	ebay.com
11.		Canon XSi	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	US$ 799	ebay.com
12.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	US$ 899	ebay.com
13.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
14.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
15.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
16.		Fujifilm GFX 100RF	..	..	..	..	..	..	Mar 2025	US$ 4 899	amazon.com
17.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check XTi offers at
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Check GFX 100S II price at
amazon.com

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Check XTi offers at
ebay.com
Check GFX 100S II price at
amazon.com

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